Get to know Oregon Arts Commission commissioners and staff.
Get to know Oregon Arts Commission commissioners and staff.
Christopher Acebo of Ashland is the associate artistic director of the Oregon Shakespeare Festival (OSF). His work at OSF includes collaborating on season planning, creative team selection, casting, strategic planning and producing the festival productions.
Mr. Acebo is a set and costume designer who designed the world premiere production of All the Way by Robert Shenkkhan, including its upcoming Broadway production, Equivocation by Bill Cain, among many others. For seven years, he was an ensemble member of the nationally acclaimed Cornerstone Theater Company in Los Angeles.
As a teacher, he has been an assistant professor in the Theatre and Dance Department at Cal State University, Los Angeles (2002-2007) and has also taught a Master Class in Design at UC San Diego.
Acebo is a recipient of an NEA/TCG fellowship and several awards and has served on selection panels for the NEA, Playwrights Center and the Steering Committee for the Latino/a Theatre Commons Convening, 2013.
He received his MFA from the University of California, San Diego and his BA in Political Science from Cal Poly, San Luis Obispo.
An assistant professor of fine arts at Washington State University Vancouver, Wash., Bawa received her master’s in fine arts from the School of the Art Institute of Chicago. Born and raised in India, she was living in Georgia in 2009 when she visited Oregon for a residency. “Oregon was gorgeous, forward thinking and welcoming,” she says. “Thus I decided to stay!” Bawa’s work has been exhibited internationally, including galleries in Portland, Seattle, Chicago, Atlanta, New York, Toronto and Ottawa (Canada), and Mumbai and New Delhi (India); reviews have appeared in publications such as The New York Times, Art Papers, Art Lies, Art India and Art Asia Pacific. In April 2004 she was part of a team that launched Drain - Journal for Contemporary Art and Culture (www.drainmag.com). “My participation in a community means a lot to me,” says Bawa. “An engagement with local, regional and international arts organizations is vital and adds a much need pulse and support to the cultural landscape. I look forward to expanding the dialogues around contemporary art practices on a global scale, while also increasing exposure through new opportunities for Oregon artists.
Alyssa Dawamana Macy is of Wasco, Navajo, and Hopi descent and a citizen of the Confederated Tribes of Warm Springs, Oregon. She currently resides in her tribal community and works for the Vancouver, Washington based Native Arts and Cultures Foundation as a development specialist. She brings a wealth of experience to the Commission as an astute writer, policy maker, advocate and communications and public relations professional.
An avid photographer and aspiring writer, Macy believes that media – its content, form, and expression – has an impact on all who consume it. She has worked with many artists and nonprofits over the years to combine media and art with social change campaigns.
Macy is a graduate of Madras High School and received a Bachelor of Arts from Arizona State University. She attended graduate school at the University of Minnesota but believes that the most important education she has ever received has been from the elders in her community of Warm Springs.
After seventeen years as an executive in the tech industry, Josie Mendoza is now focusing her energy on support for the arts in Oregon. She was brought to Oregon by Tektronix as part of a turnaround effort and co-led the organization's transformation into three separate companies. Prior to joining Tektronix, Josie held senior management positions at Apple Computer and Hewlett Packard in Silicon Valley.
Josie has served on Artists Repertory Theatre's board of directors for nine years, seeing the company go from renting space at the YWCA to creating the Alder Stage and finally purchasing and launching its performing arts campus, which encompasses an entire city block. With Artists Rep, Josie has served in a variety of leadership roles, including vice_chair, and was particularly focused on development. Julie is currently on the board of the Regional Arts & Culture Council, where she serves on the executive committee and chairs the Work for Art committee. She received a Bachelor of Arts from the University of Florida.
Libby Tower is the Marketing and Public Relations Manager for The Hult Center for the Performing Arts in Eugene. She has extensive experience in marketing, public relations, and tourism, having served two terms (1991-2000) on the Oregon Tourism Commission, including a term as vice-chair.
Libby received a Bachelor of Fine Arts in printmaking from the University of Oregon and was on the Board of Visitors for the University's School of Architecture and Allied Arts from 2002 to 2008.
A passionate advocate for Oregon's arts and culture groups, Julie Vigeland brings extensive volunteer experience with arts and cultural nonprofits to the commission. She is a member of the Giving in Oregon Council, Oregon's think tank on philanthropy and giving. Since 1995, Julie has been on the board of Portland Center Stage, serving as chair for five years and chairing the Capital Campaign for the Gerding Theater at the Armory.
Julie is one of three trustees of the Jackson Foundation, as well as a trustee of the Wessinger Foundation. Her board service in the Portland area also includes the Regional Arts & Culture Council, Oregon Symphony Foundation, Friends of the Portland Center for Performing Arts, and Oregon College of Art & Craft. She is a past president of Grantmakers of Oregon and SW Washington. She has received numerous honors for her work, including the Women of Distinction Award for the Arts presented by Marylhurst University.
Prior to this appointment, Planchon had been the assistant director of Oregon Arts Commission (OAC) from September 2004 to January 2013. In that position, she oversaw more than $2 million in grants management; helped establish OAC's online grants management system; facilitated the individual artist career opportunity grant program; developed administrative processes and internal financial reporting; worked as the Commission's accessibility coordinator and provided technical assistance to the field. Planchon was then a consultant with Planchon Consulting, specializing in technical assistance to nonprofit organizations and public agencies.
Planchon's experience also includes various positions in Alaska, including assistant director of the Alaska State Council on the Arts, where she managed grants programs, the Percent for Art program and the Literary Arts program. She was managing director of Out North, a progressive interdisciplinary arts organization and manager of the Alaska State Community Service Commission. She also brings intriguing experience gained through her work as a village health aide, gold miner, commercial fisher and farmer.
Planchon received a BA in History from the University of Alaska Anchorage, with additional certification as a Community Health Practitioner.
David Huff is the Assistant Director of the Oregon Arts Commission, where he oversees grants management, administrative processes and internal financial reporting. He also serves as the Commission's accessibility coordinator and provides technical assistance to the field.
Prior to joining the Arts Commission, David served as Executive Director for The Arts Center in Corvallis, Oregon and Curator for Pro Arts gallery in Oakland, California. He has also worked as an independent curator and writer with a focus on contemporary art.
David has a degree on photography from the California College of Arts and Crafts, collects science fiction paperbacks, and lives in Portland with his wife Josephine and rabbit Philippe.
Deb Vaughn oversees the Arts Commission's Arts Education programs, including Grants for Arts Learning and Poetry Out Loud. Prior to joining the Arts Commission, Deb worked as the school services manager for Portland-based Oregon Children's Theatre. A trained singer, actor, and writer, she was a public school artist-in-residence through the city of Phoenix's 21st-Century Learning Grant.
Deb was honored with a 2009 Sunburst Award for exemplary commitment to the arts and culture in education. She has worked as a drama teacher in Oregon and Arizona and provided consultation for Sojourn Theatre's Freshman Initiative Project. She was a member of the Visioning Committee for Oregon's Right Brain Initiative and was a member of the executive team for Opera Theatre Oregon.
Deb holds a Master of Fine Arts in Theatre for Youth from Arizona State University and a Bachelor of Arts in Theatre from University of Portland.
Brian Wagner manages the Arts Commission's Community Development programs, including Arts Build Communities. Brian lived in Oregon while he chaired Marylhurst University's music department and eventually returned to the state after twelve years of living in Colorado. There, Brian served as the Executive Director of the Durango Arts Center and taught classical guitar studies at Fort Lewis College.
As a board member of Arts For Colorado, Brian was named a Livingston Fellow by the Bonfils-Stanton Foundation and appointed by Governor Bill Ritter to serve on the Colorado Education and Cultural Facilities Authority. Brian also served on the Colorado Arts Council as a Peer Assistance Network provider. Brian earned his Bachelor of Music in Performance from the University of Arizona and a Master of Music from Lewis and Clark College.
Meagan Atiyeh manages Oregon's Percent for Art in Public Places program. She also oversees the Arts Commission's Visual Artist Fellowships. Prior to joining the Arts Commission, Meagan served in several capacities at the Portland Art Museum's Northwest Film Center, where she was the director of the Northwest Film & Video Festival.
Meagan holds a Bachelor of Arts in Writing, Literature and the Arts from Eugene Lang College of The New School for Liberal Arts in New York. She organizes independent curatorial projects, and her writing has appeared in The Oregon Review of Arts, and Deviant Fictions: An Anthology of Northwest Experimental Writing. Meagan has also served on the boards of the University of Oregon Architecture and Allied Arts and Disjecta Contemporary Art Center.
Kat Bell manages office operations and communication for the Arts Commission, orchestrating work with partner organizations throughout the state. She joined the Arts Commission in 2008, bringing vast knowledge of statewide cultural groups and grant management from her previous position as Administrative Assistant for the Oregon Cultural Trust.
Prior to her work with the Cultural Trust, Kat was the Office Manager of Oregon PeaceWorks and a volunteer for local arts groups such as the World Beat Festival. Kat has also worked for the Oregon legislature as a committee assistant to the Ways and Means Subcommittees on Transportation & Economic Development and Human Services.