Get to know Oregon Arts Commission commissioners and staff.
Get to know Oregon Arts Commission commissioners and staff.
Christopher Acebo of Ashland is the associate artistic director of the Oregon Shakespeare Festival (OSF). His work at OSF includes collaborating on season planning, creative team selection, casting, strategic planning and producing the festival productions.
Christopher is a set and costume designer who designed the world premiere production of “All the Way” by Robert Shenkkhan, as well as its Broadway production which won the Tony Award for Best Play in 2014, among many others. For seven years, he was an ensemble member of the nationally acclaimed Cornerstone Theater Company in Los Angeles.
As a teacher, he has been an assistant professor in the Theatre and Dance Department at Cal State University, Los Angeles (2002-2007) and has also taught master classes in Design at UC San Diego.
Christopher currently serves on the Board of Directors for Theatre Communication Group. He is a recipient of an NEA/TCG fellowship and several awards including a 2015 Latina/o Outstanding Advocacy Award presented by the Latina/o Theatre Commons. He has served on panels for the NEA, the Arts Commission and Playwrights Center.
He received his MFA from the University of California, San Diego and his BA in Political Science from Cal Poly, San Luis Obispo.
Avantika Bawa is an artist, curator and academic.
She has an MFA from the School of the Art Institute of Chicago and a BFA from the Maharaja Sayajirao University of Baroda, India.
Noteworthy solo exhibits include shows at Schneider Museum, Ashland, Oregon; Suyama Space, Seattle, Washington; The Columbus Museum, Georgia; Saltworks Gallery and Atlanta Contemporary Arts Center, Atlanta, Georgia; Nature Morte and Gallery Maskara, India; Disjecta and White Box, Portland, Oregon.
Avantika has participated in the Skowhegan, MacDowell, Jentel, Vermont Studio Center, Kochi Biennial Foundation and Djerassi residencies. In April 2004 she was part of a team that launched Drain: A Journal for Contemporary Art and Culture (www.Drainmag.com)
She is currently an Associate Professor of Fine Arts at Washington State University Vancouver. Her work can be viewed at www.avantikabawa.net.
Michael Dalton was a professor in OSU’s College of Education, where he also served as assistant to the dean for program and research development until his 2008 retirement.
He has a Ph.D. in teacher education and a masters in curriculum and instruction from the University of Oregon; he earned his bachelors in mathematics at Central Washington State College.
Michael maintains homes in both Corvallis and Newport. He has served on the board of Corvallis’ da Vinci Days since 2008 and is currently immediate past chair. He also has been a board member of the Newport Symphony Orchestra since 2005, where he also serves as immediate past chair.
Alyssa Dawamana Macy is of Wasco, Navajo, and Hopi descent and a citizen of the Confederated Tribes of Warm Springs, Oregon. She currently resides in her tribal community and serves as the Chief Operations Manager for the Tribe. She brings a wealth of experience to the Commission as an astute writer, policy maker, advocate and communications and public relations professional.
An avid photographer and aspiring writer, Alyssa believes that media – its content, form, and expression – has an impact on all who consume it. She has worked with many artists and nonprofits over the years to combine media and art with social change campaigns.
Alyssa is a graduate of Madras High School and received a Bachelor of Arts from Arizona State University. She attended graduate school at the University of Minnesota but believes that the most important education she has ever received has been from the elders in her community of Warm Springs.
Jenny Green is the owner of Jenny Green Gallery in Bend, a pop-up contemporary art gallery exhibiting in Bend, throughout the United States and, soon, in Venice, Italy. She has worked in arts and education for 22 years and is a former adjunct professor of art history at Central Oregon Community College.
Prior to moving to Bend in 1994, Jenny worked in art galleries, art museums and art auction houses in London and San Francisco. She is a founding board member for the independent college-prep school Cascades Academy and serves on the board for the social change organization World Muse as well as the advisory board of Caldera Arts. She holds a master of arts in fine and decorative arts from Sotheby’s Institute of Art in London and a bachelor of arts in art history from the University of Vermont.
“I believe deeply in the power of art and its ability to enhance the quality of life not only for artists but for the communities in which they work,” says Jenny. “The Oregon Arts Commission strengthens our statewide community through the arts and I want to support this important work.”
Michael Greer brings leadership experience from both the for-profit and non-profit worlds. As a former professional dancer and experienced executive, Michael enjoys using his diverse background to bring new ideas and innovative solutions to the performing arts.
In his third season at Oregon Ballet Theatre, Michael Greer works with community leaders to keep dance and the performing arts in the conversations surrounding community and growth. In addition to leading the organization into its fifth year of financial success, Michael’s tenure also is credited with a record numbers of patrons, students and donors. He is proud of the team at Oregon Ballet Theatre and the work they are doing to advance the organization’s mission to Share, Inspire and Connect through dance.
“I am humbled to be a part of the Arts Commission,” says Michael. “Oregon is a state with a rich and diverse arts and cultural landscape and I am proud to be tasked with helping to grow and safeguard that landscape for future generations.”
A native of Missouri, Michael spent the early part of his life as a dancer with stints at Interlochen Arts Academy, School of American Ballet, and The Royal Ballet School. He spent six seasons with Ballet West under the direction of Jonas Kåge, performing a wide variety of soloist roles. Upon retirement from performance, he returned to higher education with studies in economics (B.A.), education (M.Ed), and business administration (M.B.A.) from Hampshire College, University of Illinois Urbana-Champaign, and The Wharton School respectively.
Prior to returning to the non-profit sector, Michael spent nearly a decade in leadership and executive roles in manufacturing, financial services, and commodities in India and Mainland China for several multinational firms.
As a husband and father of two, Michael and his family are proud to call Oregon their home. He also serves on the board of the Cultural Advocacy Coalition.
Photo credit: Michael Slobodian
Matthew Stringer, the executive director of The Four Rivers Cultural Center in Ontario, Oregon, was appointed to the Arts Commission in December 2017.
Born and raised in Nyssa in Oregon’s Malheur County, Matt graduated Cum Laude from the University of Oregon with a bachelor’s in journalism and marketing before embarking on a successful 29-year career in New York City. He worked in advertising for Ogilvy & Mather and Young & Rubicam, and spent more than 20 years managing marketing departments for mainstream music labels such as Island, Arista and Sony Music. He has in-depth experience in all marketing disciplines, new product development and project management. After choosing to return to Oregon, Matt accepted the position at Four Rivers Cultural Center in 2011.
The Four Rivers Cultural Center contains a 13,000 square-foot museum, a Japanese garden, an exhibit gallery, a theater and a conference facility. It served more than 89,000 unduplicated people in 2017, including more than 16,000 children, through 680 meetings or events. As executive director, Matt spends the bulk of his time writing grants, programming for the theatre, conference facility, garden and gallery and in community engagement. The center programs more than 52 events each year, ranging from exhibits of Basque, Japanese and Hispanic culture to events like Mexican Independence Day and the Obon Festival. It offers the biggest music event in the Western Treasure Valley, a summer concert series called Live After 5.
Matt’s hobbies include music, hiking and swimming.
Born and raised in western Washington, Anne Taylor moved east in 1975 to earn a degree in interior design from Washington State University. In 1980, she moved to the northeast corner of Oregon. For 30 years she resided in Joseph and Imnaha, located in Wallowa County and 65 miles from the nearest town with a population greater than 15,000. In 2010 she relocated to La Grande in Union County.
Anne’s work experience includes technical illustrator, graphic artist, ranch wife and mother, bronze foundry production, art marketing and sales, custom matting/framing and art sales, parent educator, executive director and research assistant. She also has had the honor of serving as a Girl Scout troop leader, a 4-H club leader, a member of the Wallowa Valley Arts Council, Rotary Club and several non-profit boards.
Anne has pursued lifelong education through college distance learning and personal or professional development workshops. She is a 2005 graduate of the Ford Institute for Leadership and became an American Leadership Forum Senior Fellow in January of 2010.
For the past 24 years, Anne has played violin with various regional orchestras and ensembles; she currently plays with the Grande Ronde Symphony and the Inland Northwest Orchestra. She actively pursues skiing, biking, hiking and gardening, and also enjoys reading, drawing and watercolor painting, cooking, sewing and travel.
Brian Rogers, a longtime arts and culture consultant, was named executive director of the Oregon Arts Commission and the Oregon Cultural Trust in June of 2014. He has led planning and facilitated retreats, with a focus on funding stabilization and grant programs, for several state arts agencies and multiple cultural organizations across the country.
Rogers served as deputy executive director of the Pennsylvania Council on the Arts (PCA) for 16 years, where he was responsible for grant programs, financial oversight and the administration of the agency. He led development and implementation, through a public/private partnership, of the innovative and groundbreaking data collection and reporting tool, the “Cultural Data Project.” Rogers served on the governing body for the project and acted as the state’s task force manager. He also implemented several PCA programs and services including “Picture Pennsylvania,” a statewide traveling exhibition program. He helped conduct and implement four strategic planning processes, one of which resulted in a nationally recognized funding reorganization that more than doubled the number of applicants funded while providing a higher level of service.
During his more than 20 years with the PCA, Rogers also served as deputy director of administration, program director for art museums and fellowship manager.
An active and accomplished artist, Rogers holds a bachelor’s in fine arts from Tyler School of Art at Temple University, where he majored in painting, and a master’s in fine arts from the Graduate School of Art at the University of Arizona.
An arts education leader with over fifteen years of experience, Deb developed a national Poetry Out Loud participation model for students who are deaf. Prior to joining the Arts Commission, she served as the School Services Manager at Oregon Children’s Theatre. Under her leadership, Connecting Students to the World of Work (2013-2016) grants provided arts mentorships for underserved students. In 2011, Deb assembled a statewide team responsible for passage of a bill allowing for proficiency-based demonstrations of knowledge in Oregon schools.
A trained singer, actor, writer, and creative drama teacher, Deb received two Sunburst Awards for her commitment to arts education and advocacy. She is a member of the Arts Education Speakers Bureau at Americans for the Arts. Deb holds a Nonprofit Program Evaluation Certificate from Portland State University, a MFA in Theatre for Youth from Arizona State University and a BA in theatre from University of Portland.
Brian Wagner manages the Arts Commission's Community Development programs, including Arts Build Communities. Brian lived in Oregon while he chaired Marylhurst University's music department and eventually returned to the state after twelve years of living in Colorado. There, Brian served as the Executive Director of the Durango Arts Center and taught classical guitar studies at Fort Lewis College.
As a board member of Arts For Colorado, Brian was named a Livingston Fellow by the Bonfils-Stanton Foundation and appointed by Governor Bill Ritter to serve on the Colorado Education and Cultural Facilities Authority. Brian also served on the Colorado Arts Council as a Peer Assistance Network provider. Brian earned his Bachelor of Music in Performance from the University of Arizona and a Master of Music from Lewis and Clark College.
Meagan Atiyeh manages Oregon's Percent for Art in Public Places program. She also oversees the Arts Commission's Visual Artist Fellowships. Prior to joining the Arts Commission, Meagan served in several capacities at the Portland Art Museum's Northwest Film Center, where she was the director of the Northwest Film & Video Festival.
Meagan holds a Bachelor of Arts in Writing, Literature and the Arts from Eugene Lang College of The New School for Liberal Arts in New York. She organizes independent curatorial projects, and her writing has appeared in The Oregon Review of Arts, and Deviant Fictions: An Anthology of Northwest Experimental Writing. Meagan has also served on the boards of the University of Oregon Architecture and Allied Arts and Disjecta Contemporary Art Center.
Kat Bell is the Grants & Office Coordinator for the Oregon Cultural Trust and the Oregon Arts Commission. With the agencies since 2006, Kat oversees the online grant system and database and assures compliance with state and federal policy. Kat earned an Oregon Project Management Associate Certification from the Willamette University’s Atkinson School of Management and is in her junior year at Southern Oregon University where she studies Accounting. In addition to serving in the military, Kat has experience working at the state legislature as a Committee Assistant. She belongs to the PEAK Grant Making, a nationwide grant administrator network. She is a self-professed Data Viz Ninja and proud member of Ravenclaw.
Carrie Kikel is a longtime nonprofit communicator who has led communication efforts in the arts, education and health care arenas. Carrie spent 15 years with the Oregon Symphony, from 1991 to 2006, where she held the position of vice president of communication. Her Symphony accomplishments include initiating annual telecasts and National Public Radio broadcasts, organizing media partnerships that allowed a post 9/11 In Memorium concert to be experienced by 250,000 Oregonians and orchestrating a national simulcast and release parties for a Martin Luther King, Jr. tribute recording that then reached number four on the Billboard classical charts. She also led communication for the music director transition that paid tribute to James DePreist and welcomed Carlos Kalmar.
Carrie joined Providence Health & Services in 2006 and served as a regional public affairs manager until 2012 when she established her own consulting business. Her cultural clients have included fEARnoMUSIC and Portland’5 Centers for the Arts, as well as the Arts Commission and the Cultural Trust. She also helped found Portland Radio Project, an online music station honored with two Edward R. Murrow Awards in its first six months on the air.
Kikel has an associate degree in journalism from Mt. Hood Community College, where she started her communication career, and a bachelor’s in communication from Marylhurst University. She lives in Canby with her beloved Springer Spaniel Savannah and has three grown children – Daniel, Nichole and Kelsie – and five grandchildren – William, Kody, Alexa, Isaac and Ashlynd. Carrie is an avid walker and loves adventures with family and friends.
Eleanor oversees the Percent for Art Collection, consisting of over 2,500 artworks throughout the state of Oregon, and manages the Art in the Governor's Office program. Prior to her arrival at the Oregon Arts Commission, Eleanor was Assistant Registrar at the San Francisco Arts Commission, helping to manage and document a collection of 3,600 public artworks. Previous to this position, she also worked and interned at a variety of arts and cultural organizations in the West, including FOR-SITE Foundation, the Museum of Contemporary Craft, Phoebe Hearst Museum of Anthropology at UC Berkeley, the Portland Japanese Garden, SCRAP PDX and the Oregon Nikkei Legacy Center, as well as working as an independent registrar.
Eleanor graduated with a Master’s in Museum Studies from John F. Kennedy University in 2015, where she served as President of the Museum Studies Student Association and earned several scholarships including the Ted Greenberg Award for Outstanding Scholarship in Collections Management. She has a bachelor’s in Cultural Anthropology from Reed College.